PreSonus_StudioLive

PreSonus StudioLive 16.0.02

MSRP: $1,599.00

$999.00

16 x 2 Performance and Recording Console

SKU: PRESONUSSTUDIOLIVE2 Categories: , , , Tag:

Product Description

 

 

 

 

presonusstudiolive02-back

Meet the StudioLive 16.0.2!

The StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now Presonus has packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package.

Small size. Bigger possibilities.

In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.)

Small size. Bigger possibilities.

In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.)

 

But don’t let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.

 

More than a mixer: an integrated system.

The 16.0.2 integrates a 16×16 FireWire interface and comes with Capture™, Studio One Artist™ recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps.

 

130 quality signal processors at your fingertips.

The 16.0.2’s Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects.

 

Our first compact mixer with MIDI control from a footpedal.

Moreover, a glance at the rear panel reveals that “Junior” offers something the two bigger boards don’t: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control.

 

What was then is now: complete store and recall.

Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation.
StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.

You’ll come to believe in StudioLive family values. And you’ll understand why StudioLive 16.0.2 is the most exciting new, small-format digital mixer on the planet.

  • 8 mono mic/line channel inputs, each with:
    • High-headroom Class A XMAX™ mic preamplifier
    • XLR mic and balanced ¼” line inputs
    • 60 mm precision fader
  • 4 stereo line channel inputs, with:
    • High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)
    • XLR mic inputs (Ch. 9, 11, 13, and 15)
    • Balanced ¼” line inputs (Ch. 9-16)
    • Unbalanced RCA line inputs (Ch. 13-16)
    • 60 mm precision fader (4 stereo)
  • 4 Auxiliary buses (pre/post-fader send)
  • 2 Internal FX buses
  • 2 stereo 32-bit digital effects processors with customizable reverb and delay presets
  • Fat Channel signal processing on all channels and buses, with:
    • 3-band semi-parametric EQ (individual band on/off)
    • Full-featured compressor
    • Standard downward expander
    • Limiter
    • Phase reverse (12 mic preamplifiers only)
    • Pan with dedicated 15-LED display
    • Stereo link for input channels and aux buses
    • High-pass filter
  • One 31-band stereo graphic EQ (on main outputs only)
  • 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
    • Compatible with most audio software via ASIO, Windows Audio, Core Audio
  • Scene store and recall
  • Settings can be copied among channels and buses and saved as user presets.
  • Software bundle for Mac® and Windows® includes:
    • PreSonus Studio One Artist™ digital audio workstation
    • PreSonus Capture™ live-recording software
    • PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software
  • Lockout mode protects your settings from meddlers and accidents
  • MIDI Control Mode provides control over:
    • Scene and FX Preset recall
    • Main Volume, FXA, and FXB output levels
    • FXA and FXB assign/unassign to Mains
  • Free StudioLive Remote iPad® wireless-control software available at the Apple App Store

 

Computer system requirements:
Below are the minimum computer-system requirements for your StudioLive 16.0.2.
Windows

  • Windows 7, Vista, XP (32-bit and 64-bit)
  • Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended)
  • 1 GB RAM (2 GB or more recommended)

Macintosh

  • Mac OS X 10.5.2 or later (32-bit and 64-bit)
  • PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
  • 1 GB RAM (2 GB or more recommended)

Windows and Macintosh Systems

  • IEEE 1394 FireWire 400 Port
  • Internet connection recommended
  • DVD-ROM drive
  • Internal or external 7200 RPM storage drive highly recommended

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024×768 pixels.

 

Microphone Preamp
Type XLR Female, Balanced
Frequency Response to Direct Output (at unity gain) 20 Hz-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ± 0.5 dBu
Input Impedance (Balanced) 1 k?
THD to Direct Output (1 kHz at unity gain) < 0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -97 dB
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -94 dB
Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB
Gain Control Range (± 1 dB) -16 dB to +67 dB
Maximum Input Level (unity gain) +16 dBu
Phantom Power (± 2 VDC) +48 VDC
Line Inputs, Balanced
Type 1/4″ TRS Female, balanced mono
Frequency Response to Direct Outputs (at unity gain) 10 Hz-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance 10 k?
THD to Direct Output (1 kHz at unity gain)
THD to Main Output (1 kHz at unity gain)
S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB
S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -94 dB
Gain Control Range (± 1 dB) -20 dB to +20 dB
Maximum Input level (unity gain) +22 dBu
Line Inputs, Unbalanced
Type RCA Female, unbalanced (stereo pair)
Maximum Input Level +22 dBu
Main Outputs
Type XLR Male, balanced (stereo pair); 1/4” TRS Female, balanced (stereo pair);
Rated Output Level +24 dBu
Output Impedance 10 k?
Aux Outputs
Type 1/4” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 51?
Monitor Outputs
Type 1/4” TRS Female, balanced (stereo pair)
Rated Output Level +18 dBu
Output Impedance 51?
System Cross Talk
Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu
Noise Gate (Expander)
Threshold Range -84 dB to 0 dB
Attack Time Adaptive (0.2 – 2.5 ms)
Release Time 70 ms
Expander Attenuation Range 2:1
Compressor
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Response Time (Attack/Release 0.2 ms / 1.0 s (“Tight”) to 180 ms/1.0 s (“Smooth”)
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee
EQ
Type 2nd – order shelving filter (Q = 0.55)
Low (Low-pass or Bandpass) 36 to 465 Hz, ± 15 dB
Mid 26 Hz to 3.5 kHz, ±15 dB
High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
FireWire S400, 400 Mb/s
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24 bits
Reference Level for 0 dBFS -18 dBu
Clock
Jitter
Jitter Attenuation >60 dB (1 ns in ? 1 ps out)

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